Know about Argentine modern painting while learn Spanish in Buenos Aires

Ceiling frescoes in Galerías Pacífico of Buenos Aires created in by Lino Enea Spilimbergo, Demetrio Urruchúa, Antonio Berni, Juan Carlos Castagnino y Manuel Colmeiro Guimarás.

The first major artistic movements in Argentina coincided with the first signs of political liberty in the country, such as the 1913 sanction of the secret ballot and universal male suffrage, the first president to be popularly elected (1916), and the cultural revolution that involved the University Reform of 1918. In this context, in which there continued to be influence from the Paris School (Modigliani, Chagall, Soutine, Klee), three main groups arose.
The Florida group was characterized by paying the highest attention to aesthetics. Its members generally belonged to the middle and upper classes. They met in the Richmond confectionery on the elegant and central calle Florida, from which the group takes its name. Its painters included Aquiles Badi, Héctor Basaldúa, Antonio Berni, Norah Borges, Horacio Butler, Emilio Centurión, Juan del Prete, Raquel Forner, Ramón Gomez Cornet, Alfredo Guttero, Emilio Pettoruti, Xul Solar, and Lino Eneas Spilimbergo.
The Boedo group took social issues and struggles as its central themes. El Grupo Boedo, with painters such as José Arato, Adolfo Bellocq, Guillermo Hebécquer and Abraham Vigo. They were centered around the socialist Claridad publishing house, which had its workshops on calle Boedo, in the working-class suburbs of the city. Boedo group painters included José Arato, Adolfo Bellocq, Guillermo Hebécquer, and Abraham Vigo.
The La Boca group was strongly influenced by Italian immigration and developed a distinctive style centered on labor and immigrant neighborhoods. These artists included Victor Cúnsolo, Eugenio Daneri, Fortunato Lacámera, Alfredo Lazzari, Benito Quinquela Martín, and Miguel Carlos Victorica.